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Heading to Twinsfest, and I couldn’t be happier.

One year ago, I committed to writing The Hoosecows as an on-line serial novel. Now, I’m editing it for focus and impact.

The new draft focuses more on Hank’s spiral from being a baseball player into being a burned-out baseball player. The losses he suffers (I’m really cruel to poor old Hank) will feel more personal. The danger will be more clear. In other words, the new draft is going to knock it out of the park.

Until it’s done, enjoy Hank’s story here.

Someday soon, I hope to be sharing the revised version with you. Watch this space for publishing updates!

-Axel

Welcome to The HooseCows!

Welcome to my online baseball thriller, The HooseCows.

If this is your first visit, you can navigate through the novel with the menu along the right side of the website.

Enjoy the novel! Please feel free to comment — all feedback is appreciated!

– Axel Kohagen

The HooseCows Hall of Fame.

The ideas behind writing The HooseCows all started with a lifelong love of horror, a new-found love of baseball, and the need to share the way they connected inside my brain. That part I did on my own. The rest of it, the hard parts, required a lot of help from great people. And now it’s time the tale was told, thanking those who were instrumental in making my daydreams into real writing I was comfortable sharing with the world.

It started at a Twinscentric event at the Park Tavern in St. Louis Park. We were all assembling after enjoying another Twinsfest, excited about the 2011 Twins baseball season (how little we knew), and talking over appetizers and beer. Betsy Bissen had convinced me to come out, even though she knew I was sometimes shy at these events because introducing yourself as “MrHorrorpants on Twitter” can be an awkward experience. Betsy gave me a necessary push, and introduced me to all of the great Twins blog writers I had already been following.

The Minnesota Twins are blessed with amazingly insightful and talented Twins bloggers. I had once attempted my own baseball blog (“Mr. Horrorpants House of Twins”), but I just didn’t feel like I was adding enough to the discussion. The sportswriters were already out there, doing there job. I couldn’t compete with that.

It came as a great relief when two of the bloggers I admired, Seth Stohs and John Bonnes, were interested in the idea of an online baseball novel. They asked me a lot of questions and offered their help (after Bonnes’ wife gave me a confused look when she found out I tweeted as MrHorrorpants). Suddenly, I felt like I had something to add to the conversation, and I went home and fully committed to the project.

Seth Stohs and John Bonnes both answered questions about baseball to help me prepare, and were two of several baseball bloggers to help me publicize the fledgling site. I was also promoted by The Platoon Advantage. One Friday message from Aaron Gleeman, in his links section, brought in 100+ new page views alone! I thank all of you for your help. Without that help, I’m just a guy typing to himself. Thanks, guys.

On the horror genre angle, I received writing advice from Brian Keene and Tom Piccirilli via Twitter. David Moody, author of Hater (which is a great book by a writer who also started on publishing online), sent me several in-depth emails that were incredibly helpful. Monica S. Kuebler, indefatigable editor and writer at Rue Morgue Magazine, took the time to read my emails and mention cfcows.com in the magazine. She will be publishing some online fiction in January – check it out here! Photographer Jaime Hunt loaned me a picture of a tombstone that inspired an entire character’s back story. Thanks to all of you — I needed your help, and you took the time.

Two people deserve special thanks, even above all of the others I. One is Seth Stohs, who did everything humanly possible to promote my book. Seth retweeted my announcements, listed my updates on his website, and even had me on his baseball radio show. This project took 10 months of my life, and I sincerely doubt I would have stayed as confident without Seth’s constant, good-natured support. He’s truly one of the good guys. Thank you, Seth.

The other person who deserves the label of “true good guy” is Dave Hunt. Dave put more hours into designing logos and answering technical questions than any human being should have, and he never complained once. Dave’s logos, as soon as I saw them, caused me to work even harder. I had to make my fiction live up to the professional standards of his design creativity. Dave’s logos are going to be the face of The HooseCows as I market the book toward publication and distribution, and I’m very aware that, when The HooseCows get their foot in the door of a publishing company, Dave’s art will be a big part of that chance.

There are more who deserve thanks, too. Scott Oltrogge for web design help, and Ben Collin for weather advice. Lots of people I polled on Twitter. Probably so many more I’m forgetting, but believe me, I’m thankful.

Finally, I have to thank my family. My parents, obviously. I think I finally wrote a book I thought was scary and something my mom could read, and I dig that. My wife deserves the most thanks of all, because she’s the one who had to put up with all of the chores I didn’t do because I was writing, and all of the times I ignored her to finish a chapter. I love you, Michelle!

Next up, editing and writing a book for National Novel Writing Month. By the end of December, I will take early HooseCows chapters off of Amazon’s Kindle store to prepare for a ebook release of the complete novel, with some minor alterations and editing. Hope to have that out by spring training time, and you can stop here for progress updates.

Thanks for reading! Hope you had a creepy ride back to 1994, and hopefully you’ll come back for the complete novel when it’s edited and revised!

Axel Kohagen

True Outcome Guys

True Outcome Guys

New Orleans, Louisiana. 2011.

A woman in her late 40s walks past revelers working on getting drunk. She gets a few appreciative looks from the men she passes by, even though she’s old enough to be some of their mothers. The Bourbon Street crowd hasn’t reached its full capacity, so she is able to work her way through the street without having to slow her pace.

She sees her destination ahead, and she quickens her pace. The karaoke bar she is walking to is half full, but the lady in the kitty cat costume on stage is belting out the song “I’ll Make Love To You” as if she is in a packed concert hall. The singer hits all of the notes, but overacts her passion during the instrumental breaks.

A bouncer steps out of the open doorway into the street and glaces around. He’s nearly the same age as the woman, but he has the athletic build of a life-long jock. He has a serious expression on his face, but there are lines around his mouth that show he used to smile a lot.

The woman approaches him, and he recognizes who she is.

Waterloo, Iowa. 1994.

“Quit screwing around,” Taylor Nickles barked to his baseball team as they filed into the cement fallout shelter. “This is a practice run. If we have to get in here for real, we don’t have time to screw around.”

Taylor had outdone himself in preparing the fallout shelter. The team had been forced to cover it with dirt and grass, and Taylor had gone out every day looking for any sign of the shelter below he needed to disguise. When he pulled the heavy door shut, the outside looked like a small, decorative wishing well.

Taylor had prepared the inside, too. There were years of food and water stored inside, as well as enough ammunition and weaponry to start a war, then finish it. For entertainment, he had moved his entire collection of anti-government propaganda onto two shelves in the back of the shelter.

“I think the practice run was a good idea,” Taylor told Hank. The rest of the guys were looking at the bunks they would be sleeping in, if this were an actual emergency. Alphonso Ruiz and John Todd were standing near the entryway of the shelter. Hank met Alphonso’s eyes, and Alphonso and John Todd slipped out the door. Mickey Danz sat not far from where they were standing. He had his arms wrapped around his shoulders. Jean Gierau was singing “I need a brand new friend who doesn’t trouble me” and dancing like he was the Lizard King himself.

Hank didn’t think Taylor would think the plan was such a good idea if he could see what was in the shelter with the remaining HooseCows. The children who had died trying to save the baseball gear their parents had forgiven were also inhabiting the shelter, but their desires were not for safety. They were standing against the walls of the shelter, unnoticed and unmoving.

The children’s faces had changed. It was if they had gotten younger and smoother. They looked like moving porcelain dolls, and they were becoming more and more visible with each passing moment. The names of HooseCows players were written on the fronts of their shirts, and this time it looked like they were written in blood. Any moment now, the ghosts would finally become visible to the rest of the team. Then, the screaming would start.

As long as he had been in baseball, Hank James had heard other players talk about the Baseball Gods. If you didn’t follow the unwritten rules of the game, the Baseball Gods would punish you by taking away a home run or letting the other team hit one. Superstitious ballplayers swore by the Baseball Gods, and most ballplayers were superstitious. After seeing what he had as a HooseCow, Hank James knew the Baseball Gods were the young ones who never gave up on the game, and who were willing to give everything to it. He could see them assembling before him, grinding their small, porcelain jaws back and forth, and he knew these Baseball Gods could be terribly cruel.

“Mickey and I just have to bring in the beer,” Hank said. It was the only request Taylor Nickles had granted his team, who still managed to complain about the practice drill in spite of their fear of their murderous coach.

Taylor paused, as if reconsidering the one concession he had made. Then, he smiled and clapped Hank on the bank.

“Hurry up,” he said.

“It’s a small enough cooler, Hank,” Mickey said, without looking at his teammate and former friend. “You can carry it yourself.”

Hank felt his blood pressure drop and he looked into Mickey’s eyes. In the entire room, only those two men understood the severity of what Mickey was doing. Just those two men and the teeth-grinding ghosts standing around them.

“It’s really make me feel a lot better if you came along,” Hank said.

“Can’t,” Mickey said. “Not after what I’ve done.” There were tears in the man’s eyes. Behind him, Hank could see one of the ghosts move to stand right behind the pitcher. On the ghost’s shirt, written in blood, was the name “Mickey Danz.”

Hank nodded once and turned away. He nodded at Taylor Nickles, too. He should’ve known it’d have to end like this. He and Taylor were both guys that either got what they wanted or died trying. If he, Alphonso, and John didn’t finish this now, Taylor would be shooting it out with cops and getting more innocent people killed before the end of the year.

Hank glanced back once, and he saw a ghost child peek its head out to glance up the stairs leading out of the shelter. The ringing in his ears (the ringing that sounded more and more like the awful music of the organist he had killed with a foul ball in Rochester) had become almost deafening.

Then, Hank slammed the door and Alphonso Ruiz backed the truck’s rear tire over it. John Todd quickly mixed the cement to seal the HooseCows in their tomb for good.

“Mickey wouldn’t leave,” he told John Todd, who just closed his eyes.

Hank wondered if they would hear ungodly screeching and wailing at that moment. He was glad the shelter was soundproofed.

New Orleans, 2011.

“Hank?” Penny asked her ex-husband.

Hank gave her the only smile he had left, and it wasn’t much.

She saw he was wearing a name tag that read “Gary Monaco.” Behind him, another bouncer with a goatee and glasses, name tag reading “Brian” something, cocked his head. Hank motioned him away and stepped forward toward his former wife. He reached out his hands to hold her shoulders, and then pull her into a hug, but too much time had gone by for him to feel comfortable doing that.

“I never stopped looking,” she said. Her voice rose and fell between betrayal and pure sadness. “I got married, I had kids, but I never stopped looking. I wasn’t sure what I’d do when I found you, either. I’m still not sure. When I saw your picture next to the article that made it all over the Internet, I knew where to pay the private investigators to concentrate their search.”

Hank winced. The article referred to an incident where he had been coaching first base for a small college, as Tom Malcolm. Someone had been heckling one of his players, and Hank (as “Tom”) had gone into the stands after the heckler. He hadn’t been recognized as former professional player Hank James, and he left town as soon as he could before that connection could be made. It wasn’t the first time he’d been involved in something like that. It was just the first time someone had a camera and posted pictures to the internet.

“I found John Todd five years ago,” Penny said. “He told me everything. He’s doing okay now, but it was rough for a while. He speaks at a recovery group two or three times a month. He told me what you did. He still believes you saved lived by doing that, and Hank? I believe you did, too.”

“They never found the shelter, did they?”

“No,” his ex-wife replied. Then, she saw the look in his eyes. “Hank, they can’t still be alive down there. And if you’d called someone any earlier they would’ve shot the first person who opened that door.”

Hank watched the people pass by on the streets, then steeled his gaze and looked back to his ex-wife.

“There was a lot of food in there.”

“There wasn’t 17 years worth of food.”

“There were things in there with them . . .” Hank said.

“What are you talking about?” Penny replied.

Hank realized he said too much. He took a deep breath and found one last smile inside of him.

“Where are you staying?” he asked.

“The Radisson.”

“I’ll stop by the front desk in the morning, around 10.” Hank looked back into the karaoke bar to see the seats were almost filled. David, another bouncer, gave him an exasperated look.

“I’m not asking for you back as my husband,” Penny said, maybe a little too quickly. Then, she steadied herself. “It’s too late for that. I have a family. I just want to have you back in my life. Somehow.”

He nodded, then gestured to the bar behind him. It was getting full now, and someone was on stage, rapping about gin and juice.

“I have to go or I’ll lose this job, and I don’t have many other options. 10 AM. We’ll get an early lunch and talk about this.”

Penny nodded. She looked across the street and saw something surprising. Some kid was out on Bourbon Street on Halloween night, and he was by himself.  He was wearing a ratty, homemade baseball costume and make up that made him look pale and sickly. There was something written on his shirt, but she couldn’t make it out with all the people going by. She looked back to Hank, and she could tell he saw the kid, too.

“Be there,” she pleaded, and he nodded. She went to hug him, and he accepted the hug like and old friend and nothing more. She looked at him, and walked away. She walked half a block away and turned back. He was still watching her, and he waved.

Then Hank, as Gary Monaco, walked the other way to catch the next cab to the airport.

See Ya Next Season!

Before I wrap up The HooseCows (tentatively planning on publishing the final chapter at 12.01 AM on Halloween morning), I wanted to share where you can keep up with my other writings.

Currently, I have already written over a dozen short stories and at least one novel (maybe two novels, if one of them shapes up and behaves itself) I’d like to see published, as well as a slasher-at-a-camp screenplay I think has some potential. Writing The HooseCows has given me the courage to try to send these cranky bastards out into the world to see who’s up for reading them.

Because of this, I will be updating www.axelkohagen.com as a website to keep track of all of my writing progress/nervous breakdowns/angry rants. If you liked what you read here, stop over there from time to time to see what kind of trouble I’m into and how much damage I’ve done.

Also, as some of you may know, November is National Novel Writing Month. The goal is to write a 50,000 word novel in 30 days. I’m not sure it’s a smart idea to start down that road after just finishing The HooseCows, but I’m going to do it anyway. The novel will be at www.axelkohagennanowrimo.wordpress.com. It should be interesting — I really have no idea what I’m going to write.

The HooseCow Dead Ball Era

(Cemetery near softball field in Denver, Iowa)

If you saw the area around where the Waterloo Bucks play their baseball games, you’d understand the mood of the HooseCows right away. The Bucks are a Northwoods League team, and they replaced a minor league affiliate called the Waterloo Diamonds (read more about them in Richard Panek’s excellent book). While researching the Bucks for The HooseCows, I discovered I went to high school with their current GM, Dan Corbin. He’s two years older than me, and he’s an amazing guy with a smart, quick mind.

The area surrounding Riverfront Stadium in East Waterloo, Iowa, pretty much comes pre-haunted. It’s located along the Cedar River, and it’s surrounded by parks and graveyards. The rocket from Rocket Park used to exist, and it was the best place for a Denver Elementary School field trip to stop after a day at the Grout Museum (which I mentioned in Floodwaters Receding, and is NOT a museum dedicated to different types of grout, as guests to the hotel I used to work at believed it was)

The east part of Waterloo had a reputation, in the town of Denver, for being tough.

It was definitely older and more culturally diverse than the West Side, and it didn’t have a mall. I’m pretty sure the Kentucky Fried Chicken John Wayne Gacy managed was on the east side. All in all, the perfect setting for a story about ballplayers trying for one last shot at success in a world filled with pressure and symbols of death and childhood’s end.

About four years ago, we were at this park, near the stadium, and came across this elephant. I include the picture here because the elephant, forgotten but still trying to charm, could almost be a HooseCow.

Much of my information regarding Minnesotan baseball teams came from Stew Thornley’s excellent book Baseball in Minnesota. I was particularly interested in the Great Central League. I had always wanted to set The HooseCows in the 90s, but wasn’t sure anyone would have been crazy enough to start their own baseball league in the 1990s. Thankfully, Mr. Thornley proved me wrong and I based much of the HooseCows’ world on the Great Central League. Some readers might notice Hank James makes an indirect reference to the Great Central League in That Tourist Trap Out By Dubuque.

Finally, I have to mention Field of Screams by Richard Schienin. Every sport (every profession, really) has its share of awful people. When baseball players are awful, they’re just a little more textured in their rottenness. My hope is that some of the HooseCows could have fit in with the real-life players in the book.

Send in MORE ‘Cows?

Hank James Tips His Hat

Hank James Tips His Hat

(The following letter was found in the possession of Alan Stone when he died on January 29th, 2011. The letter does not appear to have been delivered to its intended recipient, the ex-wife of Hank James).

Dear Penny,

I wish I could talk to you in person. I would tell you the divorce papers were signed because Taylor Nickles made me sign them. He’s making all of us divorce our wives. It’s crazy. I wouldn’t think all of the guys would do it, either, but Taylor’s smart. We have rifle practice every morning, and after that he breaks out the paperwork he needs signed when everyone’s still holding their guns.

You need to know who Taylor Nickles really is, and what he is capable of. If he continues losing control like he has the last few weeks, it may already be too late by the time Alan Stone brings you this letter. Nickles is NOT the tough, unconventional coach who brought his team together. He’s a cultish messiah hiding behind a game that’s supposed to be played with rules and respect. He’s turned everything we did on the field, every achievement I felt proud of, into a piece of his plan to create his own army.

Taylor says he’s part of a group of dedicated Americans who are banding together to be prepared for the upcoming United Nations invasion of the United States, and the loss of American freedoms at the hands of socialist sympathizers in the U.S. government. Taylor says he has known about this for years, but he didn’t believe it would really happen so soon until Bill Clinton got elected and everything went to hell. He says there are thousands more out there who are also armed, and ready to stand up for each other. Most of us ballplayers don’t believe him, but . . . we’re just scared enough that we don’t want to run away and endanger our families.

Taylor has already killed to protect this crazy fantasy. He strangled a pitcher named T.S. Wilson and hid him a cement alcove he made in the ballpark. When I found that, Taylor buried him in a group of trees off of a gravel road. Why? Because T.S. hadn’t thrown at a batter like the coach asked. He ordered John Todd to poison “Bunk” Edwards chewing tobacco. He and John Todd beat Roger Bartt and “Smitty” Carroll to death with baseball bats because they threatened to share what Taylor Nickles was really up to with the police.  He murdered a baseball fan named Seth Speaker for the same reason. He got all of us to murder “Bud” Abbott because “Bud” Abbott had murdered several women, and he refused to let us talk to the police.

Mostly, I feel guilty for Billy Royce. Taylor brought him up to my house, telling him he had to convince me to join the team. When they got close, he lured Billy Royce behind my woodpile and shot him. He knew it was the only way to get me to talk to him. Taylor wanted me on this team because he could use my name and celebrity (from both baseball and the scandal) to get other guys onto the team. I should’ve seen it back in February.

Seth Speaker was doing research, to write our story later on. He found out more of what Taylor was planning, and when I read those notes on the floppy disks he gave me, I knew something had to be done. There are explosives hidden all over this farm, in locations he hasn’t shared with any of us. He has blueprints of local law enforcement agencies buildings in a safe he keeps in the cement fallout shelter he made the team help him construct when we were off looking at the Black Angel headstone in Iowa City.

I just remembered when I accidentally touched the statue while we were there. Part of me wonders if it really is cursed.

We have been living in this hell-hole for a month now. Every morning we wake up and practice shooting rifles, then we handle paperwork and business before we go in to watch videotapes and listen to audiotapes of all of the crazy people Taylor has been following all these years. It’s grueling and ridiculous, but somehow he’s broken all of our resolve. No one has yet tried to escape, because they know Taylor would kill them. And if they do get away, they believe there might be enough other freaks out there like him that their families could be in danger.

The only time we are happy comes after Taylor lets us out of our “church.” There are only twelve of us left, but we find ways to play baseball together on the small field Taylor has created on his farmland (we are forbidden, under penalty of torture, to compare it to That Movie).  Taylor even plays then, and he can seem almost human when he trots around the bases. We all feel normal enough we can get to bed at night without dreading the morning, or whatever other horrible things Taylor has planned.

The police have been out here three times, and I have seen them drive up and down the gravel roads around Taylor’s farm several more times than that. When they come, they keep their hands on their guns and look over their shoulders a lot. Taylor doesn’t say much, and he responds in his usual, clipped way. He thinks they don’t have enough evidence to come onto his farm. I think they’re going to storm the farm any day now, and I don’t think they know how well we are armed.

Three of us have a plan that might save the lives of a lot of innocent people. It’s not a perfect plan, and if it succeeds, I will never be able to be comfortable in my own skin. If it does not, I will be dead. I can’t mention the other people involved, in case this letter is found before Alan Stone sneaks out of here tomorrow night. He has offered to deliver this letter to you.

Before I finish this letter, I have to say one more thing. If you ever think you see a small child behind you when you are outside, in a park or at a baseball game or on a sidewalk . . . If you ever see a small child behind you, but you look again and nothing’s there, just keep walking and never walk that way again. I can’t explain it to you in any more detail than that.

I love you, Penny. I never did what they said I  did when they kicked me out of the major leagues. But what I did afterward, either on purpose or because I was too busy watching baseballs sailing out of ballparks, was far, far worse.

Hank James

(NEXT)

Halloween 1994

(This is an author’s note. The most recent chapter of The HooseCows is “Hank James Tips His Hat.”)

The HooseCows ends in October of 1994. This is me in 1994. A couple of friends and I decided to trick or treat our friends and teachers from school. One friend went as the Energizer Bunny and walked along smacking a real bass drum. My other friend decided to go as a nun holding a severed head, which was even funnier considering his prominent goatee. I decided I was a ghoul — the whole purpose of my costume was just to have an excuse to make fake blood and use a lot of it. The most horrifying moment was trying to pull the shirt and dried fake blood free from my chest hair. Thankfully, Mom suggested showering might loosen the corn syrup’s ties on my fur.

Halloween 1994 was a different kind of time. We didn’t have cell phones, for the most part. Guns in schools were starting to become a hot button issue, but the scariest shooting had not happened yet. Terrorism was something that happened overseas. Using the Internet meant having a free phone line and a whole lot of patience. The Midwest still felt safe in Flyover Heaven.

The top songs of 1994 are embarrassingly awful and forgettable. The number one song in October was “I’ll Make Love To You” by Boyz II Men. The darker, more dangerous stuff was coming up from underneath the mainstream. Snoop Dogg’s first CD ruled the year, even in the Midwest. Somehow, someone decided it was okay to play Nine Inch Nails’ “Closer” on the radio.

Baseball was on strike that October. The majors still had a team in Montreal. Players talked about cocaine problems, and the steroid witchhunt had not yet begun.

Remembering 1994 in the small Iowan town of Denver, I remember it felt possible to be truly isolated, alone with your hopes and fears. As I type this, I’m utilizing the internet and checking my cell phone at the same time. I don’t think we’ll ever be that isolated again, for better or worse.

In the final chapter of the HooseCows, which comes out Monday, you get to see what good and bad men do in that isolation.

What were you doing Halloween, 1994?

Team Art

Every team in the Pride of the Working Class Heartland League had its own nickname, and they even had their own logo. The original plan was to post scores and logos with each chapter. I also wanted to list the complete rosters on the website (I created a complete roster for each team, along with the ages and positions of each player).

The problem was writing each chapter and creating the tone of The HooseCows took so much of my energy I was not able to utilize the logos as well as they deserved to be utilized.

Unfortunately, the need to focus on the actual writing meant readers didn’t get to truly appreciate the great logos Dave Hunt created for the teams. Below are Dave’s designs. He’s a man who does excellent work (check his stuff out at Davidehunt.com/portfolio). I am including the sketches I made, so you can marvel at Dave’s ability to turn my quick sketches into something perfect.

As I look to publishing the complete HooseCows in novel form, I plan on making these images a bigger part of the book’s design.

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